This is the Lumenique, LLC Lighted Art and Design Studio blog. Articles here are provided as a supplement to the main Lumenique, LLC web site, to offer additional detail, process insight, and technical development items of interest to studio customers. For information about processes and insight into the inspiration behind Lighted Art Object creation, explore the Lighted Objects Menu in the right hand menu. Note that some articles will appear in multiple categories.
In Minneapolis, there is what I consider a truly remarkable building. It was once called the Northwestern National Life building, and opened in 1965. The colonnade is striking, and sours. The columns are somewhat reminiscent of Doric structure in there number and flared capitals, but far more slender and exaggerated. Walking through them is interesting, as the light strikes the 4 sides of each to create a mix of perceptions, some in shadow, others lighted directly.
In my interpretation, I created three layers of the columns to create the vertical height, then rotated each layer 90 degrees counter clockwise. When lighted, the presentation of the columns lighted from the front, and in shadow are evident from a single vantage point, similar to what you see walking up to the building itself.Continue reading “Inspired by a Minneapolis Portico”
I ran across a folder containing images of our Lighting Design Consulting offices from Las Vegas. This was when we were deep into the Mirage hotel, as well as a ton of custom homes, and some retail work.
So, I thought, why not recreate what would have been our cook’s tour at the time – had you come by for a visit back then.
For younger readers, there is equipment in these images that you won’t recognize. For those old enough, you will recognize the collection of things and perhaps have a nostalgic moment of your own. So, without any further ado, shall we?Continue reading “Time Machine Office Tour – 1987”
There is a lot of noise today about folks changing career paths and how it is changing the landscape of employment. I question whether what is happening is actually new. An interesting article on careers from Apollo Technical 17 REMARKABLE CAREER CHANGE STATISTICS TO KNOW indicates that job and career changes are pretty common, and have been going on for some time.
Key takeaway: Change is the norm, it is only the attention of media that cycles in and out of making it a “story.”
The article states that the average number of jobs an individual might have is 12, and infers that most have perhaps just one career change. So, I decided to do a bit of a retro review on my own path. What I came up with was 5 significant career paths (often overlapping), and 11 jobs over a period of 44 years. The following is a run down, counting only adult age jobs.
For me, art was going to be a part of what I do. At a very early age, living in campus housing where my dad was studying Electronics Engineering, my daily path to school included the halls of the art department at the UofI Moscow, ID to escape the cold winters. There, I saw paintings, sculptures, and graphics. The imagery and smell of linseed oil were compelling. While others played with their sticks and balls, I chose sketching and doodling in notebooks, and painting murals on walls.
Career One – Graphics and Job 1
Most careers are a mish-mash of financial need, emotion, opportunity, and focus. My early interests in art led to a graphic design path, which led to joining the USAF as a graphics specialist.Continue reading “Change and Roads Untraveled”
The Park object is inspired by an observation tower located in Chřiby, Czechoslovakia. The country has many of these structures for observing the surrounding landscape, which can be stunning.
The original lookout tower was designed by Jan Smékal and Tomáš Hutyr from the Prostějov company.Continue reading “Inspired by a Tower Observed”
The story told here is real. However, I have added a bit of humor to it for entertainment purposes. The actions taken, timeline, and responses to it are real, the description of it is a dramatization of actual events to make it more fun to read. No names have been changed.
As a kid, I glued and painted everything. Making stuff from wood and found objects was the greatest form of entertainment around, next to stinking up the house with unsupervised chemistry set experiments. The reasons are pretty obvious:
- No computers or video games
- 3 channels on antenna TV
- The only thing streaming in 1969 was water, down actual streams
- No smart phones and all the trappings that go with them
So, I made things. Gokarts from wood and lawn mower take-off wheels, to walking stilts made from scrap 2 x 4’s. Wenatchee was the center of the Wenatchee Youth circus, so you walked on stilts and rode unicycles – including delivering newspapers on them. The place was a bit bizarre, but wonderful to grow up in.
The glue of choice in those days was Elmer’s Glue-All. The problem was, at the time, the stuff came with one of two caps designs. The separate little press on cap, and the twist cap design.Continue reading “Retrospective 1969-1970: My First Invention”
The idea behind the Lean Series of Lighted Art Objects is to communicate the general architectural imagery, in a small abbreviated scale that provides an ambient presence when placed on a table. The concept is similar to editing a story down to the least number of words, while still communicating the intended imagery.
Initially, I created 6 variations that range from Deco to Brutal. These artist proofs are one-off items, meaning these are part of an exploration of the forms, involving significant hand working to produce. Future objects may follow, but these will not be reproduced as they are shown.
The soft light from the OLED panels provides a pleasant reading light, while the dual face also illuminates the wall or surfaces behind, adding to ambient illumination in addition to adding artistic detail to an interior.Continue reading “Lean Objects”
Center peices are commonplace. Lighted centerpieces not illuminated by candles are not. The reason is fairly simple – no power available.
I created an architecturally inspired Lighted Art Object as a center peice for a dining or conference table.
The base includes a 10Ah lithium battery pack that is rechargeable through a detachable charger. It testing the finished piece, it lasted 60 hours at a medium low setting (35% brightness), and 13 hours at the highest brightness setting. With (4) OLED sources, both ambient and more functional task lighting are both possible.
The concept is derived from the low, extended rooflines of Wright architecture, as well as a little from Meese Van der Roe.
Total height was kept below 11.5″ to avoid people sitting across the table being obstructed from seeing one another. It’s general scale will work for a table from 30″ to 36″ wide.Continue reading “Villa – a Lighted Center Piece”
Where we work tells the story of who we are. I enjoy space planning and getting the most out of small environments. I don’t enjoy excessive space filled with… well, space. Also not a fan of architectural spaces that offer volumes of open space. I find the echoes of cloppity-clopping of feet on marble surfaces and reverently hushed voices annoying. This seems an American thing, where scale of space and purpose are out of synch. Visiting Europe, or older sections of large cities anywhere, I find the ratio of space to purpose in better proportion. Less pretence, more utilization and intimacy – and less hallowed shrine to the gods of capitalism, perhaps?
I once expanded operations from a shared purpose three car garage to a facility of over 4,500s.f. – thinking more was better. But, what I found was a sense of inefficiency. A friend once commented that space had a tendency to fill itself. He was right. It’s like a lifeform with an insatiable appetite for “stuff”, leading to a need for more space. It was amazing how much junk became “necessary”.
In 2019, I down-sized everything by eliminating redundant accumulated equipment (donated to a Maker Center), and clearing/recycling “stuff.” The process was liberating.Continue reading “Space Exploration”
The Transamerica Pyramid in San Francisco is a familiar icon of the city. Building started in 1969, opening in 1972, it stood ready to take on the worst quakes of the region.
My take on the iconic pyramid
I remember the stories about its design approach and why the shape was chosen.
My take features the pyramid – but also includes expression of the structural base. with an internal pyramid reflector element. I also created lighted features at the base and exaggerated the expressed elevator core wings as lighting features. The open mid section captures the open and lighted feeling one gets when approaching the structure from the ground level. I also opened the peak section, as a nod to the two lighted window sections.Continue reading “An Inspiration from the West”